By Nolan Kelly | Published 25.09.2017. | Mixed Media
Hong Sangsoo's The Day After is a remarkably unadorned feature that puts universal truths into subtitle at NYFF The success…
Read moreBy Nolan Kelly | Published 24.09.2017. | Mixed Media
The Florida Project is the latest of Sean Baker’s films about America’s new Gilded Age. One of those rare moments at a…
Read moreBy Nolan Kelly | Published 23.09.2017. | Mixed Media
A Norwegian teenager’s identity crisis has dangerous repercussions for her family and friends. Americans have a tendency…
Read moreBy Nolan Kelly | Published 23.09.2017. | Mixed Media
Ismael’s Ghosts: The Director’s Cut, is a reminder that there is a crucible of chaos behind most things we see and love. Beware…
Read moreBy Nolan Kelly | Published 22.09.2017. | Mixed Media
The Rider, Chloe Zhao's slow documentary-based feature, shows a fragile side of the rodeo cowboy. The Rider, a thing of…
Read moreBy Nolan Kelly | Published 21.09.2017. | Mixed Media
As the regularity of NYFF screenings sinks in, Aki Kaurismäki’s new film The Other Side of Hope is a tone change we didn’t…
Read moreBy Nolan Kelly | Published 21.09.2017. | Mixed Media
Alain Gomis’ new film Félicité is a moving take on motherly love in a place long forgotten by film. Having spent over a century…
Read moreBy Nolan Kelly | Published 20.09.2017. | Mixed Media
Rebecca Miller’s new documentary Arthur Miller: Writer, attempts a wide-ranging documentary from a daring vantage point:…
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